1. How do
we set principles and strategies for training puppetry as an heterogenous art form? Can it be somehow consensual?
2. What are the true differences and similarities
between actors and puppeteers in the contemporary perspective?
3. How to
set up a course or workshop aiming for a multicompetent training?
4. Does
the words we pick to define and discuss modern puppetry affects the way people
develops their training program?
5. Is it
possible to train for puppetry without exercising ones' hand skills?
6. Do we
start by basic techniques or creative desires? / How does one balance these two
motivators in a time constrained process?
7. Do we start by teaching traditional forms or contemporary heterogeneity?
